THE MANIFESTATION OF THE ABSURD IDEA IN THE WORKS OF SAMUEL BECKETT

##article.authors##

  • Akramova Nazira Abdusamatovna ##default.groups.name.author##
  • Mahanova Nilufar Akbarjon qizi ##default.groups.name.author##

##article.abstract##

This article provides an in-depth literary and philosophical analysis of how the idea of the absurd is manifested in the works of Samuel Beckett, one of the most influential figures in modernist literature and drama. The paper focuses particularly on Beckett's most emblematic plays, including Waiting for Godot, Endgame, and Krapp’s Last Tape, to uncover the thematic and structural expressions of existential absurdity. Drawing on the theories of Albert Camus and Jean-Paul Sartre, the study contextualizes Beckett's writings within the broader framework of 20th-century existential and absurdist thought, while also emphasizing his unique artistic voice.

##submission.authorBiographies##

  • Akramova Nazira Abdusamatovna

    EFL teacher at Practical English and literature department

    Faculty of foreign philology

    National University of Uzbekistan named after Mirzo Ullugbek

    naziraakramova@gmail.com

  • Mahanova Nilufar Akbarjon qizi

    3rd-year student at Practical English and literature department

    Faculty of Foreign Philology

    National University of Uzbekistan named after Mirzo Ullugbek

    nishonovabror737@gmail.com

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##submissions.published##

2025-06-10

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##issue.vol## 27 ##issue.no## 5 (2025): Modern education and development

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Articles

##submission.howToCite##

THE MANIFESTATION OF THE ABSURD IDEA IN THE WORKS OF SAMUEL BECKETT. (2025). Modern Education and Development, 27(5), 450-457. https://scientific-jl.com/mod/article/view/19529